PRELIMINARY
Many people think, to become a designer enough just to study the computer software. By mastering a variety of software, one can freely express their ideas. Issues relating to the history, concepts, and the design process is considered less important. Disinterest in this theory looks increasingly widespread among students of graphic design. When entering the computer room, they could not wait to turn on the
computer and try a variety of effects, while the idea in his brain is
empty.
Skills operate graphic design software is indeed a must-have. But without understanding the intricacies of graphic design, you would like to fight in a foreign territory-not know the direction and target shooting. Without knowing the ins and outs of visual communication design, resulting in you hesitate in any decision-making. Your design work-becomes weaker because it is not based on knowledge and design concepts. Similarly, learning self defense, you will very easily broken down opponents if not mastered fighting moves. Knowledge of design intended as horses so that you do not easily slaughtered.
Skills operate graphic design software is indeed a must-have. But without understanding the intricacies of graphic design, you would like to fight in a foreign territory-not know the direction and target shooting. Without knowing the ins and outs of visual communication design, resulting in you hesitate in any decision-making. Your design work-becomes weaker because it is not based on knowledge and design concepts. Similarly, learning self defense, you will very easily broken down opponents if not mastered fighting moves. Knowledge of design intended as horses so that you do not easily slaughtered.
DEFINITIONS
Design translates as applied arts, architecture, and various other creative achievement. In a sentence, the word "design" can be used both as a noun and a verb. As a verb, "design" means "the process to create and invent new objects". As a noun, "design" is used to describe the end result of a creative process, be it tangible plan, proposal, or in the form of a real object.
Graphic is all the way disclosure and manifestation in the form of letters, signs, and images were reproduced through the printing process in order to be delivered to the audience. Examples are photographs, drawings / drawing, Line Art, graphs, diagrams, typography, numbers, symbols, geometric designs, maps, engineering drawings, and others. Often in the form of a combination of text, illustration, and color.
Graphic design is a form of visual communication using images to convey information or a message as effectively as possible. In graphic design, text images are also considered as an abstraction of symbols that can be sounded. graphic design is applied in communication design and fine art. As with other types of design, graphic design can refer to the manufacturing process, design methods, the resulting product (design), or any discipline that is used (design).
Modeling is forming an objects or object. Creating and designing the object so it looks like life. In accordance with the object and its base, this whole process is done on the computer. Through the concept and design process, the entire object can be shown in three dimensions, so many who call this as the result of modeling three-dimensional (3D modeling).
Design of graphical modeling is a study of the making and create new objects in the form of applied art, architecture, and various other creative achievement engineered software is a thing done in the early stages of manufacture, storage, and manipulation of models and images.
GRAPHIC DESIGN PRINCIPLES
Graphic
design also has principles like human beings, someone is known as the
principle, the main principle should be displayed in a graphic design so
that the work is communicative, while the other element is displayed
simply and did not overpower the main element. It all depends tastes graphic designers, clients and audiences to whom the message.
1. SimplicityIt is quite logical for the sake of convenience of the reader to understand the contents of the message. In the use of a news letter for instance. Letters the title (headline), subtitle and message body (body text) should not use type fonts and njilimet ornamental, like the letter blackletter that is difficult to read. Graphic designers commonly also referred to as the KISS principle (Keep It Simple Stupid). This principle could be applied to the use of elements of the empty space (white space) and do not use too many elements of accessories. Only as needed.
2. BalanceBalance is a state or similarity between the forces facing each other and give rise to the appearance of a balanced visually. Balance principle there are two, namely: formal balance (symmetrical) and informal balance.
Formal give the impression of perfect balance, the official, sturdy, confident and prestigious. Formal balance also touched on consistency in the use of various design elements. Such wana logo. In the design of business card design made with full color (F / C). But with consideration for the design of more varied and not boring, then the media of different designs you create the logo with a duotone color. Well, in these conditions, the idea of design variations should not be necessary. What will happen if the logo is the logo of a product item. Consistency is also indispensable as an impression of identity inherent in a product brand. We do not want consumers to remember the product being sold. While useful informal balance produce a visual impression of a dynamic, free, loose, pop, leaving a rigid attitude, and postmodernists.
To create a balance:· Repeat certain form on a regular basis, either vertically or horizontally.
· Central elements on the page.
· Putting a few small visuals in one area to balance a large block images or text.
· Use one or two odd shapes and make the usual form.
· Incentives text-heavy pieces with bright, colorful visuals.
· Leave plenty of space around the large blocks of text or dark picture.
· Offset large, dark photographs or illustrations with a few small pieces of text, each surrounded by a lot of space.
3. UnityUnity is cohesion, consistency, singularity or wholeness, which is the main content of the composition. An example is the illustration, raster lines and the text given that gives the impression of unity against the message in question.
To create unity:· Use only one or two typestyles and a different size or weight to contrast all publications, presentations or websites.· Consistent with the font type, size, and style for headings, subheads, captions, headers, footers, etc. in all publications, presentations or websites.· Using the same color palette throughout.· Repeats color, shape, or texture that is different across the region.· Choose visuals that share a similar color, theme, or form.
· Line up images and text together with the grid lines.
4. Emphasis (accents)Emphasis is meant to draw the reader's attention, so he wants to see and read the design in question. If in the context of the design of this newspaper can be done with a raster box on a news. This will impress the importance of news to be read by the reader. Or also enlarge the size of the letters in the headline, so it looks much different from other news. Emphasis is also done through the loop size, as well as the contrast between the texture, tone color, line, space, shape or motif.
To make emphasis:· Use a series of evenly spaced, square beside the picture outlined images with unusual shapes.· Put a critical piece of text on a curve or corner while keeping all the other types in a straight column.· Use bold, black headline and subheads type of light text and many others for all text.· Great place small images next bit of text.· Reverse (use white type) main of a black or colored box.· Use an unusual color or font type that is most important for information.· Put the list you want to highlight in the sidebar in a shaded box.
5. Rhythm (repetition)Rhythm is the repetition of elements supporting artwork. Rhythm is the difference between the two form located in space, similar to the time interval between two successive musical tones of the same. Graphic design space or void importance interval or distance between objects. For example antarkolom distance. The distance between the text edge of the paper, spacing 10 photos on one page, and so forth.
To create a rhythm:· Repeat a number of elements shaped like, even with the white space between each, to create a regular rhythm.· Repeat the greater the range of larger elements with white space between each progressive rhythm.· Alternative dark, bold and light, thin type.· Alternative dark pages (with many types of graphs or dark) with light yard (with fewer types of light-colored and graphic).· Repeating the same form in the various areas of a layout.· Repeat the same elements at the same position on each page of printed publications such as newsletters.
6. Proportion (Proportion)The proportion of such procedures including basic principles to obtain harmony. To obtain the necessary harmony in a work of comparison - an appropriate comparison. Basically the proportion is a mathematical comparison in a field. Divine Proportion (The Golden Mean) is the proportion of the most popular and used until now in the works of art to architectural works. This proportion using Fibonacci series of numbers that have a ratio of 1: 1.618, often also used 8: 13. It is said that this proportion is the ratio found in natural objects including the size structure of the human body that are considered proportions revealed by God himself. In the field of the design of this proportion can be seen in a comparison of paper size and page layout.
1. SimplicityIt is quite logical for the sake of convenience of the reader to understand the contents of the message. In the use of a news letter for instance. Letters the title (headline), subtitle and message body (body text) should not use type fonts and njilimet ornamental, like the letter blackletter that is difficult to read. Graphic designers commonly also referred to as the KISS principle (Keep It Simple Stupid). This principle could be applied to the use of elements of the empty space (white space) and do not use too many elements of accessories. Only as needed.
2. BalanceBalance is a state or similarity between the forces facing each other and give rise to the appearance of a balanced visually. Balance principle there are two, namely: formal balance (symmetrical) and informal balance.
Formal give the impression of perfect balance, the official, sturdy, confident and prestigious. Formal balance also touched on consistency in the use of various design elements. Such wana logo. In the design of business card design made with full color (F / C). But with consideration for the design of more varied and not boring, then the media of different designs you create the logo with a duotone color. Well, in these conditions, the idea of design variations should not be necessary. What will happen if the logo is the logo of a product item. Consistency is also indispensable as an impression of identity inherent in a product brand. We do not want consumers to remember the product being sold. While useful informal balance produce a visual impression of a dynamic, free, loose, pop, leaving a rigid attitude, and postmodernists.
To create a balance:· Repeat certain form on a regular basis, either vertically or horizontally.
· Central elements on the page.
· Putting a few small visuals in one area to balance a large block images or text.
· Use one or two odd shapes and make the usual form.
· Incentives text-heavy pieces with bright, colorful visuals.
· Leave plenty of space around the large blocks of text or dark picture.
· Offset large, dark photographs or illustrations with a few small pieces of text, each surrounded by a lot of space.
3. UnityUnity is cohesion, consistency, singularity or wholeness, which is the main content of the composition. An example is the illustration, raster lines and the text given that gives the impression of unity against the message in question.
To create unity:· Use only one or two typestyles and a different size or weight to contrast all publications, presentations or websites.· Consistent with the font type, size, and style for headings, subheads, captions, headers, footers, etc. in all publications, presentations or websites.· Using the same color palette throughout.· Repeats color, shape, or texture that is different across the region.· Choose visuals that share a similar color, theme, or form.
· Line up images and text together with the grid lines.
4. Emphasis (accents)Emphasis is meant to draw the reader's attention, so he wants to see and read the design in question. If in the context of the design of this newspaper can be done with a raster box on a news. This will impress the importance of news to be read by the reader. Or also enlarge the size of the letters in the headline, so it looks much different from other news. Emphasis is also done through the loop size, as well as the contrast between the texture, tone color, line, space, shape or motif.
To make emphasis:· Use a series of evenly spaced, square beside the picture outlined images with unusual shapes.· Put a critical piece of text on a curve or corner while keeping all the other types in a straight column.· Use bold, black headline and subheads type of light text and many others for all text.· Great place small images next bit of text.· Reverse (use white type) main of a black or colored box.· Use an unusual color or font type that is most important for information.· Put the list you want to highlight in the sidebar in a shaded box.
5. Rhythm (repetition)Rhythm is the repetition of elements supporting artwork. Rhythm is the difference between the two form located in space, similar to the time interval between two successive musical tones of the same. Graphic design space or void importance interval or distance between objects. For example antarkolom distance. The distance between the text edge of the paper, spacing 10 photos on one page, and so forth.
To create a rhythm:· Repeat a number of elements shaped like, even with the white space between each, to create a regular rhythm.· Repeat the greater the range of larger elements with white space between each progressive rhythm.· Alternative dark, bold and light, thin type.· Alternative dark pages (with many types of graphs or dark) with light yard (with fewer types of light-colored and graphic).· Repeating the same form in the various areas of a layout.· Repeat the same elements at the same position on each page of printed publications such as newsletters.
6. Proportion (Proportion)The proportion of such procedures including basic principles to obtain harmony. To obtain the necessary harmony in a work of comparison - an appropriate comparison. Basically the proportion is a mathematical comparison in a field. Divine Proportion (The Golden Mean) is the proportion of the most popular and used until now in the works of art to architectural works. This proportion using Fibonacci series of numbers that have a ratio of 1: 1.618, often also used 8: 13. It is said that this proportion is the ratio found in natural objects including the size structure of the human body that are considered proportions revealed by God himself. In the field of the design of this proportion can be seen in a comparison of paper size and page layout.
GRAPHIC DESIGN ELEMENTSSo
that we produce designs that draw the eye there are several elements
that must be learned which elements in the graphic design. All these elements should not be included once in a masterpiece of
design because there are some designs that require one of these elements
must be prioritized so there emphases in each element.
1. Line (Line)A line is a design element that connects between one point points points out that other so that it can form images curved lines (curve) or linear (straight). The line is the basic element for building construction shape or design. In duni a visual communication often we use the dotted line, solid line, and a dotted line.
2. Shape (Shape)The form is everything that has a high diameter and width. Basic forms known to man is a box (rectangle), circle (circle), and the triangle (triangle).
3. Texture (Texture)Texture is the surface appearance (style) of an object that can be assessed in a way seen or touched. Which, in practice, the texture is often categorized as a style of an object surface, eg the surface of the carpet, clothes, bark, paint walls, paint the canvas, and so forth.
4. Space (Space)Space is the distance between a form with other forms, the practice can be used as a design element to give effect design aesthetics and dynamics of graphic design. In the form of physical identification of space classified into two elements, namely an object (figure) and background (background).
5. Size (Size)Size is another element in the design that defines the size of an object. By using this element you can create contrast and emphasis (emphasis) on the object of your design so that people will know where to be seen or read first.
6. Color (Color)Color is an important element in the design of objects. Because color can show the person's identity, convey messages or to distinguish the nature of the forms of visual form is clear
REFERENCE SOURCEhttp://technonide.blogspot.com/2010/11/rangkuman-buku-fundamental-of-graphic.htmlhttp://www.ilmugrafis.com/artikel.php?page=prinsip-prinsip-desain-grafishttp://www.conceptmagz.com/magazine/detail/25http://adnansocial.blogspot.com/2011/02/interaksi-manusia-dengan-komputer.htmlhttp://radityacracker.blogspot.com/2011/10/desain-pemodelan-grafis-dari-segi.htmlhttp://www.ahlidesain.com/unsur-definisi-prinsip-dan-istilah-dkv.html
1. Line (Line)A line is a design element that connects between one point points points out that other so that it can form images curved lines (curve) or linear (straight). The line is the basic element for building construction shape or design. In duni a visual communication often we use the dotted line, solid line, and a dotted line.
2. Shape (Shape)The form is everything that has a high diameter and width. Basic forms known to man is a box (rectangle), circle (circle), and the triangle (triangle).
3. Texture (Texture)Texture is the surface appearance (style) of an object that can be assessed in a way seen or touched. Which, in practice, the texture is often categorized as a style of an object surface, eg the surface of the carpet, clothes, bark, paint walls, paint the canvas, and so forth.
4. Space (Space)Space is the distance between a form with other forms, the practice can be used as a design element to give effect design aesthetics and dynamics of graphic design. In the form of physical identification of space classified into two elements, namely an object (figure) and background (background).
5. Size (Size)Size is another element in the design that defines the size of an object. By using this element you can create contrast and emphasis (emphasis) on the object of your design so that people will know where to be seen or read first.
6. Color (Color)Color is an important element in the design of objects. Because color can show the person's identity, convey messages or to distinguish the nature of the forms of visual form is clear
REFERENCE SOURCEhttp://technonide.blogspot.com/2010/11/rangkuman-buku-fundamental-of-graphic.htmlhttp://www.ilmugrafis.com/artikel.php?page=prinsip-prinsip-desain-grafishttp://www.conceptmagz.com/magazine/detail/25http://adnansocial.blogspot.com/2011/02/interaksi-manusia-dengan-komputer.htmlhttp://radityacracker.blogspot.com/2011/10/desain-pemodelan-grafis-dari-segi.htmlhttp://www.ahlidesain.com/unsur-definisi-prinsip-dan-istilah-dkv.html
http://eituzed.blogspot.co.id/2014/10/pengertian-prinsip-dan-unsur-desain.html
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